domingo, 10 de julho de 2016

Under fire

Trechos de Under Fire (1916), de Henri Barbusse.


The tranquil expanses of the valley, adorned with soft and smooth pastures and hamlets rosy as the rose, with the sable shadow-stains of the majestic mountains and the black lace and white of pines and eternal snow, become alive with the movements of men, whose multitudes swarm in distinct masses. Attacks develop, wave by wave, across the fields and then stand still. Houses are eviscerated like human beings and towns like houses. Villages appear in crumpled whiteness as though fallen from heaven to earth. The very shape of the plain is changed by the frightful heaps of wounded and slain.

Each country whose frontiers are consumed by carnage is seen tearing from its heart ever more warriors of full blood and force. One's eyes follow the flow of these living tributaries to the River of Death. To north and south and west ajar there are battles on every side. Turn where you will, there is war in every corner of that vastness.

One of the pale-faced clairvoyants lifts himself on his elbow, reckons and numbers the fighters present and to come - thirty millions of soldiers. Another stammers, his eyes full of slaughter, "Two armies at death-grips - that is one great army committing suicide."

"It should not have been," says the deep and hollow voice of the first in the line. But another says, "It is the French Revolution beginning again." "Let thrones beware!" says another's undertone.

The third adds, "Perhaps it is the last war of all." A silence follows, then some heads are shaken in dissent whose faces have been blanched anew by the stale tragedy of sleepless night - "Stop war? Stop war? Impossible! There is no cure for the world's disease."

- - -
The streaming plain, seamed and seared with long parallel canals and scooped into water-holes, is an immensity, and these castaways who strive to exhume themselves from it are legion. But the thirty million slaves, hurled upon one another in the mud of war by guilt and error, uplift their human faces and reveal at last a bourgeoning Will. The future is in the hands of these slaves, and it is clearly certain that the alliance to be cemented some day by those whose number and whose misery alike are infinite will transform the old world.

- - -
Our ages? We are of all ages. Ours is a regiment in reserve which successive reinforcements have renewed partly with fighting units and partly with Territorials. In our half-section there are reservists of the Territorial Army, new recruits, and demi-poils. Fouillade is forty; Blaire might be the father of Biquet, who is a gosling of Class 1913. The corporal calls Marthereau "Grandpa" or "Old Rubbish-heap," according as in jest or in earnest.

- - -
The liberal professions are not represented among those around me. Some teachers are subalterns in the company or Red Cross men. In the regiment a Marist Brother is sergeant in the Service de Sante; a professional tenor is cyclist dispatch-rider to the Major; a "gentleman of independent means" is mess corporal to the C.H.R. But here there is nothing of all that. We are fighting men, we others, and we include hardly any intellectuals, or men of the arts or of wealth, who during this war will have risked their faces only at the loopholes, unless in passing by, or under gold-laced caps.

- - -
The same language, compounded of dialect and the slang of workshop and barracks, seasoned with the latest inventions, blends us in the sauce of speech with the massed multitudes of men who (for seasons now) have emptied France and crowded together in the North-East.

- - -
In a state of war, one is always waiting. We have become waiting-machines. For the moment it is food we are waiting for. Then it will be the post. But each in its turn. When we have done with dinner we will think about the letters. After that, we shall set ourselves to wait for something else.

- - -
Up in the somber sky, the strong staccato panting of an invisible aeroplane circles in wide descending coils and fills infinity. In front, to right and left, everywhere, thunderclaps roll with great glimpses of short-lived light in the dark-blue sky.

- - -
"And they were all jealous, I don't know why, of a chap called Bourin. Formerly he moved in the best Parisian circles. He lunched and dined in the city. He made eighteen calls a day, and fluttered about the drawing-rooms from afternoon tea till daybreak. He was indefatigable in leading cotillons, organizing festivities, swallowing theatrical shows, without counting the motoring parties, and all the lot running with champagne. Then the war came. So he's no longer capable, the poor boy, of staying on the look-out a bit late at an embrasure, or of cutting wire. He must stay peacefully in the warm. And then, him, a Parisian, to go into the provinces and bury himself in the trenches! Never in this world! 'I realize, too,' replied an individual, 'that at thirty-seven I've arrived at the age when I must take care of myself!' And while the fellow was saying that, I was thinking of Dumont the gamekeeper, who was forty-two, and was done in close to me on Hill 132, so near that after he got the handful of bullets in his head, my body shook with the trembling of his."

- - -
"'Later, when we return, if we do return.' - No! He had no right to say that. Sayings like that, before you let them out of your gob, you've got to earn them; it's like a decoration. Let them get cushy jobs, if they like, but not play at being men in the open when they've damned well run away. And you hear 'em discussing the battles, for they're in closer touch than you with the big bugs and with the way the war's managed; and afterwards, when you return, if you do return, it's you that'll be wrong in the middle of all that crowd of humbugs, with the poor little truth that you've got. Ah, that evening, I tell you, all those heads in the reek of the light, the foolery of those people enjoying life and profiting by peace! It was like a ballet at the theater or the make-believe of a magic lantern. There were - there were - there are a hundred thousand more of them," Volpatte at last concluded in confusion.

- - -
"That depends on the engages. Those who have offered for the infantry without conditions, I look up to those men as much as to those that have got killed; but the engages in the departments or special arms, even in the heavy artillery, they begin to get my back up. We know 'em! When they're doing the agreeable in their social circle, they'll say, 'I've offered for the war.' - 'Ah, what a fine thing you have done; of your own free will you have defied the machine-guns!' - 'Well, yes, madame la marquise, I'm built like that!' Eh, get out of it, humbug!"

"Oui, it's always the same tale. They wouldn't be able to say in the drawing-rooms afterwards, 'Tenez, here I am; look at me for a voluntary engage!'"

"I know a gentleman who enlisted in the aerodromes. He had a fine uniform - he'd have done better to offer for the Opera-Comique. What am I saying - 'he'd have done better?' He'd have done a damn sight better, oui. At least he'd have made other people laugh honestly, instead of making them laugh with the spleen in it."

"They're a lot of cheap china, fresh painted, and plastered with ornaments and all sorts of falderals, but they don't go under fire."

"If there'd only been people like those, the Boches would be at Bayonne."

- - -
Some have made out a small black object, slender and pointed as a blackbird with folded wings, pricking a wide curve down from the zenith.

"That weighs 240 lb., that one, my old bug," says Volpatte proudly, "and when that drops on a funk-hole it kills everybody inside it. Those that aren't picked off by the explosion are struck dead by the wind of it, or they're gas-poisoned before they can say 'ouf!'"

- - -
We are ready. The men marshal themselves, still silently, their blankets crosswise, the helmet-strap on the chin, leaning on their rifles. I look at their pale, contracted, and reflective faces. They are not soldiers, they are men. They are not adventurers, or warriors, or made for human slaughter, neither butchers nor cattle. They are laborers and artisans whom one recognizes in their uniforms. They are civilians uprooted, and they are ready. They await the signal for death or murder; but you may see, looking at their faces between the vertical gleams of their bayonets, that they are simply men.

Each one knows that he is going to take his head, his chest, his belly, his whole body, and all naked, up to the rifles pointed forward, to the shells, to the bombs piled and ready, and above all to the methodical and almost infallible machine-guns - to all that is waiting for him yonder and is now so frightfully silent - before he reaches the other soldiers that he must kill. They are not careless of their lives, like brigands, nor blinded by passion like savages. In spite of the doctrines with which they have been cultivated they are not inflamed. They are above instinctive excesses. They are not drunk, either physically or morally. It is in full consciousness, as in full health and full strength, that they are massed there to hurl themselves once more into that sort of madman's part imposed on all men by the madness of the human race. One sees the thought and the fear and the farewell that there is in their silence, their stillness, in the mask of tranquillity which unnaturally grips their faces. They are not the kind of hero one thinks of, but their sacrifice has greater worth than they who have not seen them will ever be able to understand.

- - -
The end of the day is spreading a sublime but melancholy light on that strong unbroken mass of beings of whom some only will live to see the night. It is raining - there is always rain in my memories of all the tragedies of the great war. The evening is making ready, along with a vague and chilling menace; it is about to set for men that snare that is as wide as the world.

- - -
Down below among the motionless multitude, and identifiable by their wasting and disfigurement, there are zouaves, tirailleurs, and Foreign Legionaries from the May attack. The extreme end of our lines was then on Berthonval Wood, five or six kilometers from here. In that attack, which was one of the most terrible of the war or of any war, those men got here in a single rush. They thus formed a point too far advanced in the wave of attack, and were caught on the flanks between the machine-guns posted to right and to left on the lines they had overshot. It is some months now since death hollowed their eyes and consumed their cheeks, but even in those storm-scattered and dissolving remains one can identify the havoc of the machine-guns that destroyed them, piercing their backs and loins and severing them in the middle. By the side of heads black and waxen as Egyptian mummies, clotted with grubs and the wreckage of insects, where white teeth still gleam in some cavities, by the side of poor darkening stumps that abound like a field of old roots laid bare, one discovers naked yellow skulls wearing the red cloth fez, whose gray cover has crumbled like paper. Some thigh-bones protrude from the heaps of rags stuck together with reddish mud; and from the holes filled with clothes shredded and daubed with a sort of tar, a spinal fragment emerges. Some ribs are scattered on the soil like old cages broken; and close by, blackened leathers are afloat, with water-bottles and drinking-cups pierced and flattened. About a cloven knapsack, on the top of some bones and a cluster of bits of cloth and accouterments, some white points are evenly scattered; by stooping one can see that they are the finger and toe constructions of what was once a corpse.

Sometimes only a rag emerges from long mounds to indicate that some human being was there destroyed, for all these unburied dead end by entering the soil.

The Germans, who were here yesterday, abandoned their soldiers by the side of ours without interring them - as witness these three putrefied corpses on the top of each other, in each other, with their round gray caps whose red edge is hidden with a gray band, their yellow-gray jackets, and their green faces. I look for the features of one of them. From the depth of his neck up to the tufts of hair that stick to the brim of his cap is just an earthy mass, the face become an anthill, and two rotten berries in place of the eyes. Another is a dried emptiness flat on its belly, the back in tatters that almost flutter, the hands, feet, and face enrooted in the soil.

"Look! It's a new one, this -"

In the middle of the plateau and in the depth of the rainy and bitter air, on the ghastly morrow of this debauch of slaughter, there is a head planted in the ground, a wet and bloodless head, with a heavy beard.

It is one of ours, and the helmet is beside it. The distended eyelids permit a little to be seen of the dull porcelain of his eyes, and one lip shines like a slug in the shapeless beard. No doubt he fell into a shell-hole, which was filled up by another shell, burying him up to the neck like the cat's-head German of the Red Tavern at Souchez.

- - -
Joseph is bandaged. He thrusts a way through to me and holds out his hand: "It isn't serious, it seems; good-by," he says.

At once we are separated in the mob. With my last glance I see his wasted face and the vacant absorption in his trouble as he is meekly led away by a Divisional stretcher-bearer whose hand is on his shoulder; and suddenly I see him no more. In war, life separates us just as death does, without our having even the time to think about it.

- - -
We see gentlemen, ladies, English officers, aviators-recognizable afar by their slim elegance and their decorations - soldiers who are parading their scraped clothes and scrubbed skins and the solitary ornament of their engraved identity discs, flashing in the sunshine on their greatcoats; and these last risk themselves carefully in the beautiful scene that is clear of all nightmares.

- - -
"You'll lead a bad life again after the war, inevitably; and then you'll have bother about that affair of the cooper."

The other becomes fierce and aggressive. "What the hell's it to do with you? Shut your jaw!"

- - -
I once used to think that the worst hell in war was the flame of shells; and then for long I thought it was the suffocation of the caverns which eternally confine us. But it is neither of these. Hell is water.

- - -
"More than attacks that are like ceremonial reviews, more than visible battles unfurled like banners, more even than the hand-to-hand encounters of shouting strife, War is frightful and unnatural weariness, water up to the belly, mud and dung and infamous filth. It is befouled faces and tattered flesh, it is the corpses that are no longer like corpses even, floating on the ravenous earth. It is that, that endless monotony of misery, broken, by poignant tragedies; it is that, and not the bayonet glittering like silver, nor the bugle's chanticleer call to the sun!"


Mais:
http://docs.google.com/file/d/0BxwrrqPyqsnIVkNJQW9aVjE2MTg